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Assymteric Mouthpieces by John Lynch |
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Designed
for demanding high register performance with semi flat upper rim, medium
cup depth, 25 throat and dual modified straight backbore for a good low
register and a bigger altissimo sound. Effective in any playing situation,
but most appropriately applied as a lead trumpet mouthpiece. The ultimate
embodiment of the concept, having laser-like cutting power and a bright,
full, brutal sound. |
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Asymmetric 3C+ 544 Similar in design to the Opera 545 but effectively slightly shallower due to more cup/backbore separation (longer cylinder) with much less weighting, a different backbore configuration and a slightly different rim geometry. These design features tend to produce a little brighter sound than the Opera 545, but without the edge and cutting power of the Lead 342. Slotting is also a little less for more overall, non-specialized performance requirements. They also incorporate the intonation and ease of playing frequently associated with a 3C. But this is a 3C "plus". The plus means easier high-register, more endurance and several additional semitones of high range. Like the other Asymmetrics, the throat is open (.150") for a bigger sound, but not to the point of adversely affecting endurance or intonation. The cup and backbore have been balanced. Definitely the mouthpiece of choice for players requiring a mouthpiece for more all around application, and light years ahead of the competition. |
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For
Symphony players, Jazz players and others desiring a less aggressive, more
legitimate sound with good projection, but somewhat less edge than either
the 3C+544 or the Lead 342. The upper rim has a well defined inner edge
for reliable upper lip suspension, good flexibility and clean attack. The
rim surface is semi-curved with a slightly higher inboard surface, and
slightly softened outside edge for comfort and endurance. The bottom rim
inner edge has also been softened to improve low-register performance and
flexibility. The #2 Schmitt style backbore, effectively deeper cup
(minimal cup/backbore separation) and 25 throat (.150") along with massive
cup and shank weighting tend to provide excellent slotting and a somewhat
darker, more Teutonic sound, ideal for symphonic, operatic or jazz
performances. Enhanced range and endurance are here too, just as with the
Lead 342 and 3C+544. This combination of features in a legitimate,
orchestral mouthpiece is unprecedented. |
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